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Scarecrow Review

January 10, 2006

By John Keegan

Visit The Shrine of Entil'zha for an archive of John's TV Review archives!

It’s been a long time since a new episode aired, and absence definitely makes the heart grow fonder. Dean was even more enjoyable of a scoundrel this time around, and Sam managed to intrigue me with his choices. Both brothers continue to demonstrate a complex psychology of pain and regret, which gives this series an emotional depth. Considering that this is another episode with a relatively standard approach to a horror film staple, it really was all about the characters.

That includes John Winchester and Meg. As these two characters step into the picture, the series’ premise complicates in some interesting and unexpected ways. The executive procedures have the pedigree to make it work, and by establishing a credible and stylized basis for things that would otherwise seem cliché, the writers make the idea of warring generations of good and evil a fun prospect.

There’s a “sins of the father” mystique inherent to the show’s premise, so I’m not surprised that Dean and Sam will find themselves at war with the children of their demonic tormentor. Is this an indication that Meg’s father was a human at one point, and that he struck back at the Winchesters as a spirit after death?

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Sexiest Stars

November 25, 2005

Jensen Ackles was voted in seond on Date.com's Sexiest Stars on Primetime's New Shows while Jared Padalecki is on People's Fall TV's Sexiest Guys. … Read More

Asylum Review

November 22, 2005

By John Keegan

Visit The Shrine of Entil'zha for an archive of John's TV Review archives!

One vice I have (beyond being a genre television junkie) is paranormal subject matter, even if I can see right through it. And by this I mean the current foray into “ghost hunting” shows. They range from the more professional fare of “Ghost Hunters” to the absolute farce of “Most Haunted”. There’s a certain degree of entertainment to be had, to be sure, and part of that is the inherent creepiness of an abandoned building with questionable history.

The writers clearly borrow from that source material in this episode, especially in terms of production design. I have no idea if this was filmed in an actual abandoned building with that level of disrepair, or if this was one rather impressive set design, but the atmosphere was perfect for the premise. Having seen plenty of footage of abandoned asylums and what not over the past few years, I thought the episode looked genuine and that helped tremendously.

As the season progresses, the dynamic between Dean and Sam becomes stronger, and the actors are growing in those roles by leaps and bounds. One element of the series that I can’t stress enough is the complex and realistic depiction of two brothers with differing philosophies.

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